Palo santo, the wood of the saints, at the heart of a natural fougère. Slovenian silver fir, artemisia, lemongrass and Spanish lavender open over palo santo and Mysore sandalwood, drying to oakmoss, olibanum and wild Chinese oud. Rajesh Balkrishnan and Antonio Lasheras made it together for Mallo, in 200 bottles. On pre-order, poured in 0.5 to 2 ml.

Poured and shipped the day the bottle lands.

Hari, the tattooist’s needle. A natural metal accord and Aragón orange open over Bulgarian tobacco, Azerbaijani rose otto and rose de mai, down to wild Kalakassi oud, Assam oud and Mysore sandalwood. It closes the series Mallo and Gakkin began with INK, in 80 bottles. On pre-order, poured in 0.5 to 2 ml.

Poured and shipped the day the bottle lands.

Red agarwood from the last of the Maluku wood, a 1996 batch the house can’t replace. Blackcurrant, orange peel and pollen open over white carnation and Nha Trang kinam, then frankincense and civet sink into ambergris. Ensar Oud put about three times the oud of earlier Purple Rains into this batch. On pre-order, poured in 0.5 and 1 ml only, in limited quantities.

Poured and shipped the day the bottle lands.

Mitsouko where the alcohol should be. Peach turning through narcissus and basil into three ouds and a musk tincture: a liter of Moustafa Shoair’s Jungle Samurai accord cut with a liter and a half of vintage Mitsouko. Poured in 0.5 and 1 ml only, in limited quantities.

Rain turning to fog in Yakushima’s old cedar forest. Juniper, angelica and galbanum open in cold mineral air, then thousand-year-old Yakusugi cedar, hinoki and cypress, settling into oakmoss, vetiver and wet forest floor. Cult of Kaori made it at 25% in a numbered edition of 250. On pre-order, poured in 0.5 to 2 ml.

Poured and shipped the day the bottle lands.

Named for the sea shanty, and set where an east coast summer turns to autumn. Honeysuckle and Vermont apple cider over Bornean agarwood, rosa rugosa, ambergris and tobacco, settling into oakmoss, hay, clover and spiced cider. Jono Bornstein rebuilt one of his first perfumes from the ground up for the house’s fourth anniversary. On pre-order, poured in 0.5 and 1 ml.

Poured and shipped the day the bottle lands.

A blue oud from Brunei. Orris, wild fig and blackcurrant open over dark grape, then minty kyara, Bruneian resin and blue lotus, damp and fresh-cut with no smoke. It is built on the house’s Kyara de Kalbar oil, distilled from Brunei kynam shavings. Poured in 0.5 and 1 ml only, in limited quantities.

A turn-of-the-century Cuir de Russie set in an alien garden. Concord grape and peach open over smoke and nutmeg, then tobacco absolute and four roses move through iris, tuberose and blue lotus, drying to Natuna Island oud, vintage birch tar, castoreum and civet. Jinx Smells calls it a perfume artifact that never existed. On pre-order, poured in 0.5 to 2 ml.

Poured and shipped the day the bottle lands.

Malaysian tigerwood, named for the black resin streaking the wood, from a 1991 batch aged more than thirty years. Black tea, clove and pepper over coffee, cacao and tobacco, then raw agarwood resin, grey ambergris and Kashmiri musk, with no flowers anywhere. On pre-order, poured in 0.5 and 1 ml only, in limited quantities.

Poured and shipped the day the bottle lands.

A black rose laid on Indian oud. Saffron and cinnamon warm the Taif rose and centifolia, Mysore sandalwood and black ambergris hold it down, and black musk sits underneath. Adill Ali made twenty seven bottles, in Hunayn's The Finite series.

Poured and shipped the day the bottle lands.